沙耆
沙耆,浙江鄞县人。早年先后就读于上海美术专科学校、中央大学艺术科。1937年赴比利时国立皇家美术学院留学,1939年毕业获“优秀美术金质奖”。1945年曾在比京阿特利亚蒙展览会举办个人画展。1946年回国。擅长油画。作品有1940年作《刑场附近的菜场》;1942年作《吹笛女》由比利时皇太后伊丽莎白收藏;1943年作《布鲁塞尔郊外风景》(由中国美术馆收藏)。1983年在北京、上海、杭州等地举办个人画展。
沙耆是现代中国美术史上一个非常奇特的艺术现象,他是以自己的生命遭遇浇灌艺术之树的人,他那富有传奇色彩的一生和他那卓越的绘画风格,对于研究他的人来说充满着魅力。杨英曦在《解读沙耆的艺术人生》中将沙耆的艺术风格归纳如下:
质朴本真
沙耆的早期作品,在用笔和用色上显示出印象派的影响,但总体上还是重视素描的主导作用,在造型上采用较为严谨的写实手法,用色上强调冷暖色彩的立体三度空间,构图平稳而均衡,并不时现出一种古典的静穆和单纯的格调。
浪漫情怀
他的绘画手段被提高到重要的位置,即在点、线、面和色彩中浸透着感情和情绪,而这感情和情绪则往往是绘画的主题。在绘画的手段中,沙耆更注意线和笔触,在短促而有律动感的线条中,在轻重有致、缓急有序的笔触中,显明地反映出这位感情激越的艺术家内心的骚动与不安,让我们感受到他对生命无限的眷恋与深情。
东方神韵
沙耆有着深厚的中国传统文化底蕴,他的画讲究章法、结构,强调构成,强调格调,强调感情的流露,具有鲜明的东方特色。
参考:杨英曦《解读沙耆的艺术人生》,载于《艺术教育研究》2010年02期
上海美术专科学校
比利时国立皇家美术学院
Sanded over sixty years of age, person of Zhejiang Yin county. One's early years is read early or late at division of art of Shanghai art training school, central university. Went to Belgian national and royal academy of fine arts to study abroad 1937, graduation was obtained 1939 " qualitative award of fine art gold " . Ever comparing Beijing 1945 exhibition of A spy Li Yameng holds individual art exhibition. Went back to the motherland 1946. Be good at canvas. Work has made 1940 " the food market near execution ground " ; Made 1942 " piping female " by Belgian empress dowager Yi Lisha is collected in vain; Made 1943 " Brussels outskirts scenery " (collect) by Chinese art gallery. Individual art exhibition was held in and other places of Beijing, Shanghai, Hangzhou 1983.
Sanded over sixty years of age is contemporary China a very peculiar artistic phenomenon, he is with his life experience irrigates the person of artistic tree, he is full of legend colorific lifetime and him then that outstanding painterly style, to considering to there is glamour for his person. Yang Yingxi is in " the artistic life that unscrambles sanded over sixty years of age " the artistic style of lieutenant general sanded over sixty years of age induces as follows:
Plain this true
The inchoate work of sanded over sixty years of age, using the influence that impressionist school shows on pen and coloring, but the dominant action that still takes sketch seriously on the whole, use on modelling relatively rigorous realistically gimmick, the stereo three-dimensional space of colour of cold warm color emphasizes on coloring, composition of a picture is smooth and balanced, often reveal a kind classic solemn and quiet with pure style.
Romantic feelings
His position with draw the method is raised significant, soaking feeling and mood in dot, line, face and colour namely, and the theme that this feeling and mood often are brushwork. In painterly method, sha Qigeng notices line and brush stroke in Chinese painting and calligraphy, be in short and the line that has rhythm feeling is medium, have in weight send, in the brush stroke in Chinese painting and calligraphy with orderly emergency, distinct report gives the disturbance of the artist heart with this intense sentiment and uneasiness, let us feel his infinite to life be sentimentally attached to and deep feeling.
Oriental verve
Sanded over sixty years of age is having inside information of solid Chinese traditional culture, his picture pays attention to art of composition, structure, emphasize forming, stress one's style of work as well as one's moral quality, emphasize emotive revealing, have bright Oriental distinguishing feature.
Referenced: Yang Yingxi " the artistic life that unscrambles sanded over sixty years of age " , carry at " artistic education studies " 2010 02 period
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